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The show’s central subject is the family members’ choppy adjustment to their newfound fame. (Charli is seventeen, which makes her seven years younger than Kylie Jenner, the youngest sibling in the Kardashian clan still, you can find both of them on TikTok.) The D’Amelios offer a new iteration of the showbiz-family model: they achieved celebrity on social media first, only then adding reality television to their growing portfolio of branded projects, which include a podcast, a book, a clothing line with Hollister, and a makeup line with Morphe 2. The eight-part Hulu series, which premièred a few months after the end of “Keeping Up with the Kardashians,” has seemingly positioned itself as a successor to that reality giant, although the show is tailored to a Gen Z audience. This is the rich history that “The D’Amelio Show” has inherited.
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The series finale, which aired this past June, after a twenty-season run, ended with the family burying old merch in a time capsule: Kim’s first fragrance Kylie Jenner’s first lip kits a set of keys to Dash, the Kardashian sisters’ now defunct clothing boutique.
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In the past couple years, it had become increasingly clear that the family no longer needed a TV series to fuel their celebrity if anything, the show was holding them back, preserving them in millennial amber. On those same platforms, they hawked a slew of Kardashian-branded products, from makeup to underwear to socks to denim. They had used a TV show to get famous, and then expanded their empire by employing a variety of social-media platforms, on which they allowed fans to get additional glimpses of their lives. Simpson’s close friend.) But, with every passing season, the Kardashians became bigger and bigger celebrities in their own right. (Kim Kardashian was Paris Hilton’s onetime assistant Robert, her late father, was O. The E! series took as its subject a family that was, initially, only fame-adjacent. We see a smattering of endless notifications, both loving and hateful, which appear not just on her phone but on our screen as well, crowding the frame: “Charli is such an amazing and kind person” “Can somebody explain how she is Tik Tok famous?” “Your over hyped.” In this oppressive context, the intrusion of reality-TV cameramen into one’s bedroom seems almost quaint.Ĭharli, the center of “The D’Amelio Show,” on Hulu, was only three years old when “Keeping Up with the Kardashians” premièred, on E!, in 2007. As she comes to, she is already clutching her iPhone-the implement with which she has incessantly documented herself on social media for the past couple years.
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Though she has barely cracked open her eyes, she does not seem perturbed to find herself thus awoken by a camera crew. A television producer knocks on her bedroom door and enters to find Charli burrowed under the covers, an army of pastel-colored plush toys standing sentry around her. It’s morning in Los Angeles, and the TikTok superstar Charli D’Amelio is still in bed.